During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she wants a divorce. They both go through a series of different emotions related to their situation, Mark's which is generally obsessive about learning why Anna, who he still loves, wants the divorce, and Anna's which is generally increasingly histrionic in getting away from Mark. Caught in the middle is their infant son Bob, who Mark uses as a gage to Anna's mental state. Anna states that her want for the divorce is not because of another man, but Mark finds out that Anna has a lover named Heinrich. In the meantime, Mark also meets Bob's teacher Helen, who looks exactly like Anna, but is her polar opposite in temperament. Starting a relationship with Helen lessens his obsession with Anna. But as Mark and Anna's encounters together reach more emotional and violent levels, Mark, with help of a private ... Written by Huggo

Witold just failed his law-school examinations and Fuchs has just quit his job at a Parisian fashion company. Arriving for a few days away at a so-called family guest-house, they are greeted by a series of unsettling omens: a sparrow hanging in the forest, then a piece of wood in the same condition, and finally signs on the ceiling and in the garden. In this guest-house there is also a baleful mouth, that of the maid, and a perfect mouth, that of the young woman of the house with whom Witold falls madly in love. Unfortunately, she has just married an architect of the most respectable sort. But is the young woman equally respectable? The third hanging, that of the cat, is Witold's doing. Why did he do it? And above all - will the fourth hanging be that of a human?